Icicle Creek Center for the Arts Board of Directors seeks to hire for the full-time position of Executive Director.
The Executive Director of ICCA is responsible for the overall success of fulfilling ICCA’s mission by providing leadership, overseeing the day-to-day operations, strategic vision and operating excellence. Reporting directly to the Board of Directors, it is the Executive Director’s responsibility to accomplish the objectives and goals while updating the board and to ensure achievement of ICCA’s mission, vision, values, and financial objectives.
Icicle Creek Center for the Arts is proud to present the 27th annual Icicle Creek Chamber Music Festival with performances from Canyon Wren Recital Hall and Snowy Owl Theater live-streamed and with limited in-person seating in accordance with state and local guidelines. Tickets are on sale now for all ten concerts happening July 2-24!
In person seating is very limited in Canyon Wren and Snowy Owl venues to allow space for distancing and live-streaming requirements. Please buy your ticket in advance as we expect many or all of these concerts to sell-out. Before and after checking out, please check your ticket order to make sure you have correctly chosen your virtual (livestreamed) or in-person ticket. Tickets are required for virtual (livestream) attendance as well as in-person.
Thanks to additional funding from the Icicle Fund, Icicle Creek Center for the Arts is able to provide grants to more artists in Chelan and Grant counties during a very difficult year. The Icicle Fund 2020.21 Relief Fund provided over $100,000 in artist grants in support of the critical needs of working artists in North Central Washington* whose incomes have been impacted by COVID-19. *Please note, grants are intended for working artists residing in Okanogan, Chelan, Grant and Douglas Counties and Icicle Creek is awarding grants to those residing in Chelan and Grant counties.
Application is open through May 15 or until funding is fully allocated.
Apply now via Icicle Creek Click here for more details.
Icicle Creek Artist Talk is a new virtual series from Icicle Creek where we interview artists of all kinds from around NCW to learn about their craft, processes, methods and artistic ideologies!
The series will stream monthly from our website and Facebook page. Our first episode features creative, Austin J. Smith from Ellensburg, WA, and streams Wednesday, January 27 at 7 PM.
You can watch the series and learn more about Austin at icicle.org/find-events/artist-talk/
Thanks to the Icicle Fund, Methow Arts and Icicle Creek Center for the Arts will get to provide 72 artists with critical funding during a very difficult year. The Icicle Fund 2020.21 Relief Fund provides $72,000 in artist grants in support of the critical needs of working artists in North Central Washington* whose incomes have been impacted by COVID-19. *Please note, grants are intended for working artists residing in Okanogan, Chelan, Grant and Douglas Counties.
Artists are the basic building blocks of the Arts Ecosystem – without creating artists, the system does not exist. Due to the COVID-19 pandemic, NCW artists are facing severe loss in income and business. The Icicle Fund recognizes that artists continue to be deeply impacted as events, conferences, art at Farmer’s Markets, and performances across the country continue to cancel. They are impacted by hospitality industry and retail/artist studio closures, school closures, travel restrictions, continued lay-offs and social distancing recommendations.
Icicle Creek Center for the Arts will review and artist grants in Chelan and Grant counties and Methow Arts Alliance will review and award artist grants in Okanogan and Douglas counties.
Apply via Icicle Creek or Methow Arts starting December 15. Click here for more details.
Icicle Creek is excited to be participating in Give NCW this year! Give NCW is the Community Foundation’s online fundraising campaign designed to build awareness about nonprofits in Chelan, Douglas, and Okanogan counties that are impacting our communities and provide an easy way to support them! Visit givencw.org to give to Icicle Creek.
Plus, certain days of the week have special incentives! Each time you donate on a Monday, your name is entered to win $1,000 to use on Give NCW any way you choose, and all donations made on Wednesdays will be matched up to $3,000!
Join us for virtual, live-streamed concerts from Icicle Creek to you! Sundays at Icicle Creek is a series of chamber music concerts beginning on October 4. Reserve your complimentary ticket at icicle.org/find-events
The Sundays at Icicle Creek fall series line up:
Oct 4: Volta Piano Trio
Works by Joseph Haydn, Zenobia Powell Perry, Felix Mendelssohn
Nov 8: Saeunn Thorsteinsdottir, cello; Elizabeth Dorman and Oksana Ejokina, piano
Works by Ludwig van Beethoven and Richard Strauss
Nov 22: Elizabeth Dorman and Oksana Ejokina, piano
Works by J.S. Bach and Franz Schubert
Dec 6: Hoorig Poochikian, violin; Christie Chen, cello; Oksana Ejokina, piano
Works by Francis Poulenc, Gabriela Lena Frank, Felix Mendelssohn
We love birthdays and in keeping with tradition we are planning to celebrate our dear friend and founder Harriet and her 96th birthday. This fun online party will be filled with messages from some of her favorite artists and showcasing highlights from the best performances over the years. The online stream is Thursday, September 10 at 6pm at icicle.org/birthday.
Artists include Lisa Bergman, Oksana Ejokina, Misha Myznikov, Matthew Baldwin, John Pickett, Overton Berry, Andre Feriante, Charles Robert Stephens, Henry Hettick, Arlene Wagner, Landon Davies, Mason Atwood, Olive Ryan, Gary Lumsden, the Marlin Handbell Ringers, along with a cameo performance from Harriet herself!
As always, there is no cost to attend and all donations collected from her party will go to support Harriet’s favorite cause – providing student access to the educational programs of Icicle Creek Center for the Arts. Your gifts will be appreciated and thoughtfully distributed throughout the year.
Join us for this special event as we honor this special woman, and the arts, virtually with YOU!
The history of theater in the United States has had quite a turbulent journey to get where it currently stands. From laws prohibiting performance art during the colonial era, to the deeply racist minstrel shows, theater has had quite the growth period, but it now sits a pretty good spot with something for just about everybody.
Let’s take a look at how the different periods got us to where we are today!
1700-1800 – Theater did not get off to the best start for a number of different reasons. One is many of the newfound colonies were led by religions who disagreed with the moral implications that arose from performance art. Another being that theater had a significant British influence, and these colonizers were trying to stray away from those ideals. In fact, one performance during the early 1700s incited a riot after the crowd found out an actor was a British soldier.
The first playhouse popped up in Virginia in 1716, and soon after, in 1730, there was another in South Carolina. The rest of the colonies began to pick up on the trend, but as previously mentioned, it was slow going because of the laws restricting this form of art. In fact, these laws compared both performing and watching said productions to vices like gambling or animal fighting. Typically viewed in a negative light, actors and their careers were not deemed respectable throughout this period.
1800-1900 – Post-independence, popularity with theater grew (slowly) as questions surrounding its morality declined. It wasn’t until the mid-1850s where actors finally gained a foothold in the public’s eye. Some of the key actors were Wiliam Charles Macready, Edwin Forrest and Edwin Booth (older brother of John Wilkes Booth). Around this time theaters started popping up around the country, but nowhere seized the opportunity quite like New York. These New York theaters included Anthony Street Theatre (1813), the Chatham Garden Theatre (1824), the Lafayette Theatre (1826), the Bowery Theatre (also 1826), the Opera House (1833 – becoming the National Theatre in 1836), the Franklin Theatre (1835), and the Broadway Theatre (1847 – the first of that name).
As excitement grew, so did the number of American playwrights and homegrown American actors. No longer were Shakespearian plays the most popular, instead, they were rip-offs of Shakespeare where the “bad” guys were British characters. The audience and public loved it. Looking back, it wasn’t all positive; many shows included racist portrayals of African-Americans through “minstrel shows.” You can learn more about these types of shows through the Crash Course video below:
As time went on, minstrel shows became less and less popular, and stepping in were vaudeville productions which consisted of many unrelated acts all performing at the same show. Acts that encompassed everything from trained animals, to comedians, to singers to even the great Harry Houdini. The vaudeville acts had a prominent foothold in society until the 1930s. Traditional theater was entering its “golden age” too. From the early 1900s to when cinema started in the 1930s, actors of this time were held in as high regard as modern day movie stars.
1930-Present Day – Theater has gone a number of different ways through several different mediums. As vaudeville acts died off, musical theater and realism became increasingly popular. The realism productions had a more serious and mature tone to them. On the other hand, as the hype around musicals ensued, so did the growth of Broadway. Broadway had a massive influence until the 70s when many theaters were forced to shut down. In 1990, however, the city of New York wanted to make a change, so they cleaned up the area and converted it to what it is today, an entertainment district specializing in lavish musicals and glitzy hotels.
So what state is theater in today? Let’s see some facts!
We might be biased, but we definitely think our fabulous Snowy Owl Theater belongs on that list. Don’t you? We hope you enjoyed this week’s blog and we can’t wait until we can see you in our theater again! Until then, stay safe!
“Icicle Creek Center for the Arts is a place where learning, creating, and performing inspire and nurture the human spirit in a spectacular mountain setting.”
Our mission is at the heart of everything we do here, and it’s easily seen with the hugely impactful educational programs we host throughout the year. From our Youth Symphony to our acting and theater camps to our beloved Chamber Music Institute, our reach is worldwide, and our programs are world-class.
Why is it that we believe in the power of the arts so much? What about our campus and our Leavenworth community is so unique that it is the highlight of the year for most campers? Listen to just a few testimonials from previous institute students and find out.
We believe in the power of arts for many reasons but one of the main reasons are the measurable benefits of learning an instrument. These benefits stretch way beyond obtaining a new skill. There is scientific research that shows it helps not just in school, but it also positively impacts ambition and conscientiousness. So let’s dive in on how much of an the impact the arts can make on one’s brain.
Listening to music is one thing. A rush of dopamine, similar to the rush we get from pleasurable activities like eating our favorite dessert, which helps alleviate stress, spur creativity, and all in all, puts us in a better mood. Learning to play an instrument, however, opens up an entirely different batch of cognitive and social benefits. Watch Alan Harvey brilliantly explain this in TEDx Perth:
The impact doesn’t stop at better grades, or being more alert or even having a better memory. In this Inc. article, lead researcher, Simon Landry, at the University of Montreal states, “The more we know about the impact of music on really basic sensory processes, the more we can apply musical training to individuals who might have slower reaction times.” It doesn’t stop there though; he goes on to say that “Musicians also have an altered statistical use of multi-sensory information. This means that they’re better at integrating the inputs from various senses.”
An Article by Penn Medicine also talks about how playing music keeps the brain healthy. John Dani, Ph.D. states, “(playing music) engages every major part of the Central Nervous System.” But why is this? Because playing an instrument engages both sides of the brain, the article goes on to say. When you play the violin, for example, since the right hand is doing something completely different than the left, your brain “uses the peripheral nervous system, which controls movement of your fingers, as well as gross and fine motor skills. The brain’s executive function – which plans and makes decisions – comes into play as a musician plays one part but keeps focus on what’s coming next.”
The positive effects don’t go away even if and when you stop playing. In an article by National Geographic, reduced memory loss and defense against cognitive decline occurs as musicians get older, even if they haven’t played an instrument in years. The reason for this is when children and young adults learn an instrument; their brain creates additional neural connections that last a lifetime.
“In Hanna-Pladdy’s first study on the subject, published in 2011, she divided 70 healthy adults between the ages of 60 and 83 into three groups: musicians who had studied an instrument for at least ten years, those who had played between one and nine years, and a control group who had never learned an instrument or how to read music. Then she had each of the subjects take a comprehensive battery of neuropsychological tests.
The group who had studied for at least ten years scored the highest in such areas as nonverbal and visuospatial memory, naming objects, and taking in and adapting new information. By contrast, those with no musical training performed least well, and those who had played between one and nine years were in the middle.
In other words, the more they had trained and played, the more benefit the participants had gained. But, intriguingly, they didn’t lose all of the benefits even when they hadn’t played music in decades.”
The power of the arts stretches so much further than onto the theater stage. The lifelong positive impact shows in all areas of school, ambition and overall brain health. Not to mention the memories and friendships that occur while on the journey to becoming a musician. This is why Icicle Creek Center for the Arts believes so heavily in our mission and the power of the arts.