Performances At Icicle Creek

Soprano Renée Fleming makes her return to the Met in the world-premiere production of composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. 

The busy birdsingers return to the Bavarian wonderland for a debut performance in the Snowy Owl Theater!

Hear instruments and musical styles that are seldom heard by today’s audiences. Andre Feriante will take you on a journey through time and place with the guitar and it's many relatives. 

The NW Edvard Grieg Society brings their "Flute Fantasy" program to Canyon Wren - a delightful selection of works by Grieg, a few of his Norweigan contemporaries, and a new work by their composer-in-residence, Steven Luksan.

TaikoProject’s powerful drumming unites ancient Japanese tradition with 21st century American innovation to create a riot of movement and thundering rhythm.

Wagner’s soaring masterpiece makes its triumphant return to the Met stage after 17 years.

A chamber music concert as part of the Sundays at Icicle Creek 2022-2023 series.

Listen to the musical storytelling of Srivani Jade, a singer and composer of North Indian music.

Baritone Michael Volle stars as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance, in Verdi’s glorious Shakespearean comedy. 

A dream cast assembles for Strauss’s grand Viennese comedy including Soprano Lise Davidsen, mezzo-soprano Isabel Leonard, and soprano Erin Morley.

Gina Williams returns to Icicle Creek for a dynamic mix of music; from original songs in gospel and jazz, to covers of her favorite vocalists top hits, there is something for everyone to love.

Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones premiered to universal acclaim in 2021.

A chamber music concert as part of the Sundays at Icicle Creek 2022-2023 series.

A multidisciplinary performance celebrating Native American culture and ancestors.

Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.”